See The Film Fresh


Boaz Yakin is typically seen as a work-for-hire writer and director. It’s not his fault, he’s just a good writer with bills to pay, so he takes a lot of sub-par studio projects that don’t really offer him anything interesting to do in the script. So it’s weird that a movie like Fresh comes from someone with a track record for mediocrity, but Fresh really is one of the all time must see movie downloads.

This movie came after Boaz Yakin’s self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.

The film follows a young boy working as a drug mule for various mid-level dealers around the city. He makes anywhere from twenty to fifty bucks a run, and he’s been storing that money in a coffee can by the railroad tracks. The money really adds up when you save it, and Fresh is saving it. For what? We won’t say. Save to say that the way the movie plays out is really something.

Fresh spends each weekend playing chess with his father, an alcoholic genius who’s become estranged from the family. The chess serves as a metaphor for the scheme Fresh is hatching, as well as a sort of Greek chorus scene for the audience and for Fresh himself.

Think of it as Fistful of Dollars set in the ghetto. When a girl Fresh has a crush on, as well as a childhood friend, are murdered in a random shooting by one of the drug dealers he works for, Fresh hatches a plan to take revenge on all of the pushers and scumbags he deals with on a daily basis, freeing himself and his family from the clutches of the drug dealers.

Fresh’s scheme to take the badguys down is really incredible, serving as a fascinating parallel to the chess games he plays with his father. The master stroke of his plan is that none of his opponents suspect him of a thing, as he is, after all, just a kid. He essentially manages to play dumb and innocent, while in fact outsmarting everyone around him.

The tightrope he walks to work the scheme is suspenseful, dangerous, frightening, knowing that at any moment, they could catch on to him and put him under the ground.

The film is truly one of a kind. Clockers runs in a somewhat similar vein, but Fresh is built around a truly unique concept. The movie takes a young child, around ten years old, and pits him against ruthless, violent, sociopath criminals. It’s not a children’s movie, even though the hero is a child. It is a film about the power of morality and righteousness over compromised morality and cruelty, and truly a fascinating thriller.

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