Film making

Tracking the piano, guitars and other rhythm instruments.

We can delete the primary copy of our song with our new tracks.

We should replace the guitar track in the PC sequencer. so all the tracks will sit in the groove,We just follow our project aim, play all that’s what needed on our rhythm guitar with particular components included in the song like solo, breaks etc melodic instruments and rhythm, it provides a sustainable way to support the drums and guitar that’s already in the tracks

Record our Counter Point Instruments.

When we put down our program for the track, we know exactly what is played by which instrument and when. It may possibly be saxophones, syn pads, electric guitars, and even organs and accordions.We use our program to record our tracks.There may be possibly be solo instruments that play in parts of our track too. Do those following after we finished the counterpoint instruments.

We must always be conscious that these tracks stand out inside the song, so we must always play them correctly,and in this stage if something isn’t proper we try and correct it or fix it. The beauty about it is,as the tracks come together we are able to hear how the feel of the track come about. At this we do just a little mixing to minimize clashes in our tracks.

Putting down the Vocals

Probably the most crucial track needless to say is the vocal track, we are able to document a guide vocal track first. You can find a few things that we must always be conscious first, realizing the singer uses singing muscles, if its tired it will show inside the track.

The very best answer for that is to rest the singer, when he or she is properly rested, relaxed and needless to say properly practiced with the song, we are able to commence recording, and he or she is encourage to input her/his characteristics inside the track.

When the singer is ready to document a course, get her/he to a practice run to warm the voice up, take your time as a very good vocal course is quite critical.Do many takes too so we cut and paste very good components into a last vocal course.

Vocal Harmony

These go last they fit in smoothly with the principal vocal track.We have to watch our phrasing here, pronunciation and timing here, as the back up singer will have to adhere to these to a tee. We ensure the back up singers are also in sync and timing with each other. The aim is to get a good tight vocal tracks. We are able to record the singer together or separately, as long we get probably the most polished results as our aim.

Mixing.

We will base our mixing about the sound scape created from the model music. Play the guide music first and combine to that music arrangement. Do not spend a lot of time with this basic mix. We do our stereo panning too, wherever we establish where ever our band members on the stage are, which will establish our stereo image.

Next we adjust our levels of our tracks so that, they sound relatively to each other with the vocals slightly inside the front.

This is where we use a bit of reverberation to give it some air.

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